triomoving.blogg.se

1. PROGRAMA SUBTITULOS SOLEOL PDF
2. PROGRAMA SUBTITULOS SOLEOL ARCHIVE
3. PROGRAMA SUBTITULOS SOLEOL FULL
4. PROGRAMA SUBTITULOS SOLEOL SERIES

The collaboration between filmmaker Mike Thornhill and writer Frank Moorhouse was a rare, but also uniquely creative partnership in Australian cinema.

PROGRAMA SUBTITULOS SOLEOL ARCHIVE

The new CEO of the National Film and Sound Archive of Australia talks to producer Sue Milliken about his new agenda and the long-standing challenges for the National Film and Sound Archive of Australia in preserving and restoring Australian cinema heritage. Restoration funding provided by Doha Film Institute. Additional restoration elements provided by Degeto Films. In association with Lester James and Sumitra Peries, the National Film Archive of India and the National Film Corporation of Sri Lanka, Cinemas Ltd. Restored in 2013 by the Film Foundation’s World Cinema Project at Cineteca di Bologna /L’immagine ritrovata laboratory. The character is trapped between two cultures: the Western/British one and his culture of origin….” (Lester James Peries). “My most controversial film… holds a strong social and political value in denouncing the system. Winner of the Silver Lion at the 1972 Venice film festival, The Treasure is his most acclaimed work, frequently topping best Sri Lankan films of all time polls. Sri Lankan cinema’s still living cinema legend, Lester James Peries commenced making films in the 1950s, regularly premiered at the major European festivals and made the first Sri Lankan film to get an Oscar nomination. SAT 5 MAY 10.00AMĭir: Lester James PERIES, Sri Lanka, 1970, 110 mins, DCP (Orig. Restoration Australian premiere, courtesy of Shockhiku International It tells of two sisters (Arima Ineko and Ozu’s emblematic lead actress, Hara Setsuko), and follows their parallel paths as they reunite with a mother who abandoned them in childhood.

PROGRAMA SUBTITULOS SOLEOL FULL

More recently it has been released in the US and UK and now had its full flowering, with a 4K restoration recently premiering at the 2018 Berlin film festival. subtitles, MA15įor quite some time this film was almost the missing masterpiece of Ozu’s career. subtitles, MA15.  FRI 4 MAY 6.30PMĭir: OZU Yasujirō, Japan, 1957, 140 mins, col., sd., 4K DCP (orig. Restoration funded by the George Lucas Family Foundation and The Film Foundation’s World Cinema Project.  FRI 4 MAY 4.15PMĭir: Max OPHÜLS, France, 1939, 82 mins, b&w, sd., DCP (orig.

Restored by Cineteca di Bologna at L’immagine ritrovata laboratory in collaboration with Med Hondo. A scathing attack on colonialism, the film is also a shocking expos é of racism…” (Harvard Film Archives notes).

PROGRAMA SUBTITULOS SOLEOL SERIES

“ From the stylized and surreal opening sequence to the episodic adventures of a particular man, the director presents a series of imaginative set pieces, linked by voice-over narrative, that investigate and dramatize a complex of interrelated themes. Mauritanian-born Med Hondo’s experiences, trying to make a living in a range of menial jobs in 1960s Paris, infuse his first film, Soleil Ô. Restoration supervised by Margot Nash.  FRI 4 MAY 2.00PMĭir: Med HONDO, France/Mauritania, 1973, 98 mins, DCP (orig. Restoration by the Library of the University of Technology Sydney. “the Hellzapoppin’ of poor cinema, a frequently hilarious spoof on the low budget film… a sheer delight.” (David Stratton). Yackety Yack was made in La Trobe University’s film studio by Jones, students and staff (including legendary film critic/actor John Flaus), with Jones himself in the lead role as Maurice an aspiring, egomaniacal film director. 16mm), b&w, sd., English, R18+.Īmerican Dave Jones came to Australia in 1971. FRI 4 MAY 11.45AMĭir: Dave JONES, Australia, 1974, 86 mins, ProRes, (orig. Introduced by the director, Peter Tammer. A remarkable record of that day and a fitting final tribute to Paul Cox’s life. Shortly before film director Paul Cox died, he received a visit from his friend Peter Tammer and they spent an afternoon discussing Cox’s life. REPEATED FRI 4 MAY 4.15PM FRI 4 MAY 10.00AMĭir: Peter TAMMER, Australia, 2015, 61 mins, ProRes, col., sd., Eng., MA15 Babs has a fateful chance meeting with an old flame, Georges, and fate throws up an opportunity she should not take, but memory and desire compel her forwards. Evelyn/Babs works as one of four topless dancers at “La Sirene”. Sans Lendemain was the penultimate picture cosmopolitan director Max Ophüls made in pre-war France before leaving for Hollywood. SANS LENDEMAIN Edwige Feuillère, George Rigaud | Sans Lendemain | Photo: Gaumontĭir: Max OPHÜLS, France, 1939, 82 mins, b&w, sd., DCP (orig.

PROGRAMA SUBTITULOS SOLEOL PDF

You can view or download the full Cinema Reborn program as a PDF here.